MUSIC 100 基础乐理
MUSIC 101 视唱练耳1
MUSIC 104 Counterpoint
MUSIC 105 Harmony
MUSIC 107 视唱练耳2作者: FLU 时间: 2009-8-6 09:46:56
所有的stage 1
MUSIC 100
Basic Musical Techniques
An intensive overview of fundamental written skills in music, and practice in aural perception for the general interest student who has some rudimentary knowledge, and also for those wishing to bring their musical skills up to the level of entry to MUSIC 101.
Restriction: May not be taken after passing MUSIC 101 or 102 or 103 or 104
15 Point(s), Lecture
MUSIC 101
Aural Skills and Perception 1
The development of musical responses by means of aural perception and sight singing of scales, intervals, chords of various types, harmonic progressions, rhythms and simple musical forms.
Prerequisite: Departmental approval required for non-BMus students Restriction: MUSIC 103, JAZZ 103
15 Point(s), Lecture
MUSIC 104
Musicianship and Counterpoint
Exercises in and analysis of Renaissance polyphony in two and three parts, and the development of musical responses by means of keyboard or fretboard skills.
Prerequisite: Departmental approval required for non-BMus students Restriction: MUSIC 102, 103
15 Point(s), Lecture
MUSIC 105
Musicianship and Harmony
The development of an understanding of the harmonic structure of music through analysis and exercises in Baroque common harmonic practice, particularly four-part chorales. Further development of keyboard or fretboard harmony skills.
Prerequisite: MUSIC 104
15 Point(s), Lecture
MUSIC 106
Conducting
An introduction to the study of conducting which includes an historical overview and work on posture, patterns and gesture. Emphasis will be placed on choral repertoire.
Prerequisite: Departmental approval required for non-BMus students
15 Point(s), Lecture
MUSIC 107
Aural Skills and Perception 2
Further development of musical responses by means of aural perception and sight singing, continuing work begun in MUSIC 101.
Prerequisite: MUSIC 101
15 Point(s), Lecture
MUSIC 109
Music Technology I
A survey of the technology available to assist musicians. Topics will include: audio recording, computer notation, sound editing and synthesis, sequencing, MIDI, instructional software, music and the Internet.
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15 Point(s), Lecture
MUSIC 110
Composition 1
Creativity and craftsmanship in original free composition are studied with some analysis of significant twentieth-century works and exercises in important twentieth-century techniques. Coordination with performers both within and outside the class is important.
Prerequisite: Departmental approval required for non-BMus students
10 Point(s), Lecture
MUSIC 111
Composition 2
Continuation of work begun in MUSIC 110.
Prerequisite: MUSIC 110 Restriction: MUSIC 110B
10 Point(s), Lecture
MUSIC 120
Performance 1
Performance work covering music from different periods: weekly individual lessons, performance classes and ensemble training in one of the following: singing, pianoforte, organ and/or harpsichord, guitar, recorder, baroque flute, baroque violin, baroque cello, percussion, an approved orchestral instrument. For the Performance major. Entrance is by audition.
Prerequisite: Departmental approval Restriction: MUSIC 124, 125, 128, 129
20 Point(s), Workshop
MUSIC 121
Performance 2
Continuation of work undertaken in MUSIC 120.
Prerequisite: A pass of at least C in MUSIC 120
20 Point(s), Workshop
MUSIC 122
Second Instrument Study 1
Performance work for students who wish to maintain a high level of study in voice or instrumental performance supplementary to their primary performance study. The work will include regular performance lessons and ensemble playing.
Corequisite: MUSIC 120 and Departmental approval
10 Point(s), Lecture
MUSIC 123
Second Instrument Study 2
Continuation of work undertaken in MUSIC 122.
Prerequisite: MUSIC 122 and Departmental approval Corequisite: MUSIC 121
10 Point(s), Lecture
MUSIC 124
Performance Studies 1
Performance work covering music from different periods. Weekly individual lessons and performance classes in one of the following: singing, choral conducting, pianoforte, organ and/or harpsichord, fortepiano, guitar, recorder, baroque flute, baroque violin, baroque cello, percussion, or an approved orchestral instrument. Not available for students in the Performance major.
Prerequisite: Departmental approval Restriction: MUSIC 120, 128, 129
15 Point(s), Lecture
MUSIC 125
Performance Studies 2
Continuation of work undertaken in MUSIC 124.
Prerequisite: A pass of at least C in MUSIC 124 and Departmental approval Restriction: MUSIC 121, 128, 129
15 Point(s), Lecture
MUSIC 132
Orchestra 1
Participation in section ensembles and full orchestral rehearsals and public performance; the study of ensemble techniques and discipline, and relevant orchestral repertory. Required for Performance majors in orchestral instruments.
Prerequisite: Departmental approval
10 Point(s), Lecture
MUSIC 133
Orchestra 2
Participation in section ensembles and full orchestral rehearsals and public performance; the study of ensemble techniques and discipline, and relevant orchestral repertory. Required for Performance majors in orchestral instruments.
Prerequisite: Departmental approval
10 Point(s), Lecture
MUSIC 134
Choral Ensemble
Participation in choral singing in rehearsal and public performance, and the study of vocal ensemble techniques and choral repertory.
Prerequisite: Departmental approval required for non-BMus students
10 Point(s), Lecture
MUSIC 136
Accompanying 1
Candidates presenting keyboard instruments for Performance will have the opportunity to work with singers or instrumentalists in a study of accompanying techniques and repertory, in rehearsal and public performance.
Prerequisite: Departmental approval Corequisite: MUSIC 120
10 Point(s), Lecture
MUSIC 137
Accompanying 2
Continuation of work begun in MUSIC 136.
Prerequisite: Departmental approval Corequisite: MUSIC 121
10 Point(s), Lecture
MUSIC 144
Turning-points in Western Music
A study of the significance of certain major discoveries, inventions and trends in Western music, and their effect on today's "classical" music. No previous knowledge of music is assumed.
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15 Point(s), Lecture
MUSIC 144G
Turning-points in Western Music
A study of the significance of certain major discoveries, inventions and trends in Western music, and their effect on today's "classical" music. No previous knowledge of music is assumed.
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15 Point(s), Lecture
MUSIC 149
New Zealand Music Studies
New Zealand art music and popular music from World War II to the present, with a focus on contemporary practice. A broad range of musical styles and genres and their historical significance and wider social contexts will be discussed, together with notions of cultural identity in music at national and local levels. No previous knowledge of music is assumed.
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15 Point(s), Lecture
MUSIC 149G
Studies in New Zealand Music
New Zealand art music and popular music from World War II to the present, with a focus on contemporary practice. A broad range of musical styles and genres and their historical significance and wider social contexts will be discussed, together with notions of cultural identity in music at national and local levels. No previous knowledge of music is assumed.
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15 Point(s), Lecture
MUSIC 154
Acoustics for Musicians
The fundamental principles of: oscillations and wave propagation, stationary waves, resonance, loudness, pitch, tone quality, intervals and scales, the principles of operation of stringed, woodwind, brass and other instruments, and the acoustics of rooms.
15 Point(s), Lecture
MUSIC 170
Languages for Singers
Language study, based on the needs of singers. The language taught will normally be Italian. In addition to the weekly meetings of the class there will be prescribed language laboratory work, and some intensive periods of language activity. Required for Voice majors.
Corequisite: MUSIC 120, and Departmental approval
10 Point(s), Lecture
MUSIC 180
Creative Studies in Popular Music 1
Exploration of ideas and processes in the creation of popular music through workshops, seminars, group discussion and composition and arrangement exercises. Students will be required to present aspects of their coursework in live performance.
Restriction: POPMUS 100
15 Point(s), Lecture
MUSIC 181
Performance Practice in Popular Music 1
Exploration of performance techniques employed by popular musicians through workshops, seminars, group discussion and live performance. Students will explore the association between these techniques and musical composition.
Restriction: POPMUS 101
15 Point(s), Lecture
MUSIC 182
The Popular Music Industry 1
Practical perspective on power and practice in the popular music industry. Enriched by instruction from experts in the field, this course provides fundamental knowledge enabling students to begin functioning in and examining theoretically the complex workings of the local music industry and its multi-million dollar global counterpart. Practical areas covered include: music promotion, publishing and copyright, management, organisation of functions and festivals, legal issues and manufacture.
Restriction: POPMUS 102
15 Point(s), Lecture
MUSIC 183
Composing with Computers 1
An introduction to writing music using the computer as the primary interface. Explores styles of electronic pop music that are technology dependent and also the uses of the computer in other sub-genre. Introduces the student to principles of composition specific to popular music.
Restriction: POPMUS 103
15 Point(s), Lecture
MUSIC 184
Styles and Techniques in Songwriting
A survey of contemporary popular music styles from the perspective of tools of the creative songwriting process. Analysis and discussion of harmonic, melodic, rhythmic and structural concerns of works by prominent songwriters of the last five years. Explores connections between the traditional skills of songwriting and the international pop chart.
Restriction: POPMUS 107
15 Point(s), Lecture
